Independent Record Labels Of The United States
|
Belle Meade Records PO Box 275 |
 |
| NO. | ARTIST | PRESS | MATRIX# | SONG TITLES | MUSIC | VALUE | YEAR | NOTES |
| 1117 | Chuck Jones |
RITE 165 |
2763 2764 |
 Dance With Me What's In A Kiss |
NA NA |
1959 |
| 1118 | Chuck Jones |
RITE 165 |
2761 2762 |
I Flip For You Baby Dinner Out Tonight |
NA NA |
1959 |
| 1119 | Chuck Jones |
RITE 165 |
2757 2758 |
Too Many Times Tell Me Darling |
NA NA |
1959 |
| 52759 | Chuck Jones |
RITE |
1899 1900 |
Get Lost You've Got The Wrong Baby, Baby |
NA RAB |
1959 | Date OL: 5/27/59 ? |
| 6959 | Chuck Jones and The Rockets |
RITE |
1947 1948 |
Old Coke Bar Rockin' Around |
NA NA |
1959 | Date OL: 6/9/1959 ? |
| 119 | Chuck Jones and The Rays |
RITE 165 |
3015 3016 |
Don't Cha' Know Baby Rocket |
NA NA |
1960 |
| 132 | Chuck Jones and The Rays |
RITE 165 |
3023 3024 |
In The Wee Hours Of The Night Caroline |
TEEN TEEN |
1960 |
| 134 | Chuck Jones and The Rays |
RITE 165 |
3027 3028 |
It's All Been Said Before Love Had Passed Me By |
NA NA |
1960 |
| 136 | Chuck Jones and The Rays |
RITE 165 |
3031 3032 |
My Perfect Dream I Just Fell In Love |
R&R RAB |
1960 |
| 137 | Chuck Jones and The Rays |
RITE 165 |
3033 3034 |
The Winds Howl Dark Shadows |
NA NA |
1960 |
| 141 | Chuck Jones and The Rays |
RITE 165 |
3041 3042 |
With Each Beat Of My Heart Looking For Love |
NA NA |
1960 |
| 420 | Chuck Jones and The Links |
RITE 165 |
3629 3630 |
Careful How Can I Forget ? |
NA NA |
1960 |
| 421 | Chuck Jones and The Links |
RITE 165 |
3631 3632 |
Bing Bong All Mixed Up |
NA NA |
1960 |
| 422 | Chuck Jones |
RITE 165 |
3633 3634 |
Red-Headed Gal I'm Not Complaining |
NA NA |
1960 | BB rev. 6/27/1960 |
| 423 | Chuck Jones |
RITE 165 |
3635 3636 |
Alone And Blue Eileen, Teenage Queen |
NA NA |
1960 |
| 430 | Chuck Jones and The Rays |
RITE 165 |
3649 3650 |
I'm Through With You You'll Never Understand |
NA NA |
1960 |
| 435 | Chuck Jones and The Rays |
RITE 165 |
3659 3660 |
I Can't Forget My Teenage Sweetheart Showers Of Love |
NA NA |
1960 |
Acknowledgements: Udo Frank, Michel Proost